 | Watch Viy (2014) putlocker megavideo megashare full movie Run time: 127 min Rating: 5.7 |
| Storyline Early 18th century. Cartographer Jonathan Green undertakes a scientific voyage from Europe to the East. Having passed through Transylvania and crossed the Carpathian Mountains, he finds himself in a small village lost in impassible woods. Nothing but chance and heavy fog could bring him to this cursed place. People who live here do not resemble any other people which the traveler saw before that. The villagers, having dug a deep moat to fend themselves from the rest of the world, share a naive belief that they could save themselves from evil, failing to understand that evil has made its nest in their souls and is waiting for an opportunity to gush out upon the world. Written by RFG | |
| Plot Keywords: village, cartographer, monster movie, live action fantasy, two word title | |
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» Watch Viy (2014) putlocker megavideo megashare full movie
Watch Viy (2014) putlocker megavideo megashare full movie
Posted by agueroz
Posted on 9:28 PM
with 4 comments
The other day, I decided to be with my people (in their collective hell), and watch this je ne sais quoi. What to say here. They can't write, for they're basically illiterate, and they can't act, for the mugs of the "Moscow theaters actors" (tm) are too well-fed. Everyone speaks in those pumped-up husky voices that are expected to mean passion from females, and courage with the other kind. For me, personally, though, they signify only people sitting on their potties trying very hard to give birth to something immortal, needles first.
ReplyDeleteThe cinematographers seem to have learned shooting eye-pleasing pics, though they say it's not very hard to do, these days. They have also learned how to steal nice-looking stills for our desktops from others. Although, it seems that all visuals were created not by Russians but by Czechs, Germans and whom not, so maybe I should take this last statement back. You know, it's all like giving bright neon building blocks to an idiot child—he would definitely build something with them, and it would certainly catch the eye yet it would be utterly meaningless. For there is absolutely no logic in the plot, and the montage of those nice-looking pictures, there's no even the Hollywood logic in it. The sense is totally absent from this product, like lip-sync (for all actors were dubbed like in a bad TV production).
All PR effort (and the Wiki article) only confirm that the movie was targeted at brainless idiots who salivate from Photoshopped landscapes, and fast-changing camera angles. Also, xenophobia detected: the film creators seem to convey a very simple idea that all the worst in humans comes from within, and as the most humans in the film are, obviously, the Ukrainians, they look like the evil incarnate. On the other hand, Nicholas Gogol apparently thought so, too, although he didn't like all people, not only the Jews.
A slight anti-clerical pathos makes a welcome respite from all this stupidity but the creators apparently didn't dwell on this. Judging from what and how they speak in the promo documentary, they have no dwelling place in their brains. Their aim was "to catch up and overrun," like Khrushchev used to say, and "to produce the movie with the highest, globally accepted standards of intiteiment" (I kid you not, this is the word they use on a dumb card in the promo film; and I just love this provincially soviet demagoguery).
But the theme of rebooting classics is rich, no arguing about it. They now are free to re-shoot The Petty Demon, for example, creating the small dusty monster there with the multifaceted LED eyes, like what they did here. It will give much pleasure to the young and broad audience, no doubt.
I liked the movie. When I was going to see it I had already known that it was not a screen version of Nikolai Gogol's story but "a movie based on it". That's why I was not disappointed as some people who went to the theatre to see just a new version of 1967 "Viy". Because it is not.
ReplyDeleteThis new "Viy" took the same legend from the book (based on a Slavic folklore legend), the same characters, the same location - a small Ukrainian out-of-the-way village, added some new characters , CGI (quite good), shuffled everything, sprinkled it with humour (sometimes dark)and eminently suitable music. And as a result, we have an interesting mystic story definitely worth watching.
Of course, this film is _based_ on a Gogol's story, not a direct screen version. And this is most interesting, because it creates an intrigue.
ReplyDeleteIf one had read Gogol or had seen the film of 1967, he/she could expect to see something like that, just with 3D effects. These expectations disappear immediately, leaving the spectator face to face with an enigma.
As the director of this film said in an interview, they used an early edition of Gogol's text. The screenwriter continues from the very point where Gogol has put the last period.
On my mind, the story of Viy 3D resembles Umberto Eco's "The Name of The Rose", but with cossack's specifics.
It is dark - but not black. It is mystic - but not fantastic. (A bit of fantastic, of course). It is hard to predict if there would be happy end or not - many times. But this is not typical noir or horror.
Who or what is the "boss enemy"? Where the root of the evil hides - in the spirit of savage forests, in black souls of bad guys, or just in alcoholic delirium? What will triumph - an European rationality or Russian mystic? And many, many more questions.
And finally I must conclude: the film is positive. This is a perfect tale.
P.S. The priest, father Paisiy, is similar to Vsevolod Chaplin, the chief of public relations of the Russian Orthodox Church. It was quite funny to see his face in this context.
Viy comes from east slavic legends. Based on these legends Nikolai Gogol depicted Viy in his story back in 1835. There were several film adaptations, but the most notable is considered the one filmed in 1967 in USSR.
ReplyDeleteI can't say that Viy 3D is an adaptation. It is a story which uses Viy legend just as background. And this is the first problem with the film. When you talk about Viy, you talk about fear. The legends are about that, Gogol's story is about that, 1967 film is about that. So how can a film, which places Viy in its title, and even mentions Gogol story, just throw away this spirit of something unknown and frightening, and instead suggest some stupid explanation for the story and challenge the existence of Viy.
Another problem of the film is its ugly propaganda constructed from old clichés. Orthodox church is for enslaving people (wow, have you seen this 'new' idea before?), ukrainian сossacks are drunk and live in dirt, the English scholar is smart and can handle everything. In general you can see the contrast - bare and dirty Ukraine vs rich and beautiful England.
OK, so maybe for someone who doesn't care about Viy concept and propaganda, is this film good?
The story in film is very similar to Sleepy Hollow, but is worse. Plot doesn't offer something new, but fails to provide some solid story. It is a mess without any reasons. I can recall the most effects-loaded scene of cossacks transforming into devils and trying to frighten cartographer. Are there any reasons for this part of plot? No. Are there any consequences of this scene? No. The cartographer wakes up next morning and just continues his work. So you can just remove this scene from the film and you don't lose anything as far as plot is concerned. Same for many scenes.
Effects are OK. You can enjoy some scenes.
The film is not scary, there are some exciting moments, but the film never crosses the line of a real horror.
Acting is decent, everyone did a good job.
Conclusions: 1) If you like the story of Viy and want to see some adaptation - the film is not for you. 2) If you want some horror film - this film is not for you. 3) If you don't care much about a new story and would like to enjoy the effects and acting - you can have a good time.